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About Spike Milligan

Spike MilliganSpike" Milligan was born in Ahmednagar, India, on 16 April 1918 to an Irish-born officer in the British Army and his wife.

Though he lived most of his life in England and served in the British Army, he was declared stateless in 1960, and took Irish citizenship.

He suffered from bipolar disorder for most of his life, having at least ten mental breakdowns. He was a strident campaigner on environmental matters, particularly arguing against unnecessary noise. He served in the Royal Artillery in World War II in North Africa and also Italy, where he was hospitalized for shell shock.

During most of the 1930s and early 1940s he performed as a jazz trumpeter but even then he did comedy sketches. After his hospitalisation he played guitar with a jazz/comedy group called The Bill Hall Trio, at first in concert parties for the troops and, after the war, for a short time on stage. While he was with the Central Pool of Artists (a group, in his own words, "of bomb-happy squaddies") he began to write parodies of their mainstream plays, that displayed many of the key elements of what would become The Goon Show with Peter Sellers and Michael Bentine.

Spike Milligan in his younger days:
He was the primary author of The Goon Show scripts (though many were written jointly with Eric Sykes) as well as a star performer, and is considered the father of modern British comedy, having inspired countless writers and performers with his work on The Goon Show and his own Q series, including Monty Python's Flying Circus. Writing a show a week affected his health greatly and caused him to have a series of nervous breakdowns. On one occasion, Peter Sellers had to lock his door against a knife-wielding Milligan; on another, Sellers and Harry Secombe broke into Milligan's dressing room, fearing he was suicidal. Eventually lithium was found to be the most effective treatment.

He also had a number of acting parts in theatre, film and television series; one of his last screen appearances was in the BBC dramatisation of Mervyn Peake's Gormenghast, and he was (almost inevitably) noted as an ad-libber. One of Spike's most famous ad-lib incidents occurred during a visit to Australia in the late 1960s. He was interviewed live-to-air and remained in the studio for the news broadcast that followed (read by Rod McNeil) during which Milligan constantly interjected, adding his own name to news items. As a result, he was banned from making any further live appearances on the ABC. The ABC also changed its national policy so that talent had to leave the studio after interviews were complete. A tape of the bulletin survives and has been included in an ABC Radio audio compilation, also on the BBC tribute CD, Vivat Milligan.